Glamour jeans have become recognised by their over embellishment. Anna Sui is known for her over-use of embroidery, beading and braiding on what is basically a simple denim jean or jacket.

Embroidered story telling makes this shearling trimmed denim jacket from Gucci a covetable piece. Especially when combined with a bold tweed skirt. Super youthful styling but super expensive pricing!

Versace takes his glamour and flamboyance to the extreme below. Using basic jeanswear shapes as a vehicle to elevate the idea of denim wear.

Western shirt shape with denim shorts. And Jeans topped with constructed denim top. All encrusted and embellished with beading, appliqué and embroidery within an old fashioned seaside theme.

Black denim from Versace again has been given the Western Matador treatment with studded decoration and gold thread motifs. Clearly building on a western theme both in accessories as well as decoration.

Denim fabric is visibly little changed. We spend a great deal of time playing with variants of what has been before, adding new fibres for touch, for stretch, for performance. Current changes are mainly performance related and invisible. The excitement is currently derived from creative effects in the garment.

Denim garments are all about both detail and finish. The two are inextricably linked. Edges are frayed and unpicked; seams are degraded; edge stitching is obvious - blanket, braiding, beading. We consider what are the influences which give rise to new edge and fastening treatments.

All images from Diesel online store besides: Fringe jacket: MSGM | Collar on the right side of the image: From the book WORN(2015) by Lockett and Gunn. | Image above collar from the book: My Archive 3 by Antonio Di Battista.

We examine myriad variations of what's around the edges of a denim garment - collars, cuffs, pockets all which benefit from creative degrading; ripping and repairing; fraying and fringing. Contrast colour; white and blue spray; inside out denim, where the backside is as important as the face. The denim itself is a mere vehicle for creative edge work.

Background image by Ela Stipicic | Left and right denim by DSQUARED2 | Centre image: UNRAVEL PROJECT nature lace up skinny jeans  from stefaniamode — Background image by Ela Stipicic | Left and right denim by DSQUARED2 | Centre image: UNRAVEL PROJECT nature lace up skinny jeans from stefaniamode

Use of creative hardware and hard logos as befits the tough nature of the jean. Buckles used as decoration in weird places for effect only with a creative nod to its western origins. Lacing instead of zips or buttons.

Images from left to right: AMIRI Splattered paint denim jacket | FORTE COUTURE logo banded skinny jeans | r13 distressed denim jacket | UNRAVEL PROJECT lace up front skinny jeans | Background image: PHILIPP PLEIN Light Melissa Boyfriend jeans | OFF WHITE cropped zip denim jacket

The constant throughout all the pocketing ideas is the angled western jacket pocket. Twin needled seaming which benefits from a heavy wash; flap pockets with button or snap fastenings. Closed pocket zippers are a more modern addition.

Japanese Farmer Viner Kimono (1890's) from the book "Worn" by Douglas Gunn and Roy Lockett | Background image from the book "Photography and notebooks" by Bruce Chatwin

The vintage reclaimed Japanese Kimono jacket which combines denim with original checks and stripes forces us to focus on the front edges the collar and the absent cuffs. The whole is enhanced by natural ageing creating a super romantic garment which would be much less alluring without the front edging.